🏷️#3099雪山之巅银凰仙姬东方神话人像提示词

超写实真人东方神话电影人像，一名明确25岁以上的成年东亚女性，站在海拔极高的雪山云海之巅，塑造成来自雪域天界的银凰仙姬，整体融合东方仙侠、凤凰神话、冰雪圣女、高级时装 Editorial 与电影概念艺术。

人物拥有清冷精致的东方鹅蛋脸，面部轮廓柔和而立体，下颌线纤细自然，深色杏仁眼，眼神清冷、疏离、带轻微神性；细长自然眉，挺直精致鼻梁，淡珊瑚粉色嘴唇微微张开。

妆容使用极淡的冰雪仙侠妆，眼周加入少量暖橘红/浅珊瑚色眼影，与冷白雪山形成冷暖反差；真实皮肤毛孔与细微绒毛，面部具有自然透光感，不要网红脸，不要塑料磨皮。

人物头发为浓密乌黑超长发，古典高位半盘发与大量披发结合。高山强风从画面右侧向左后方猛烈吹过，大量黑色发丝向天空飞扬，部分细碎发丝横穿脸颊、嘴唇与眼睛附近，形成极强的动态电影抓拍感。

头顶佩戴大型银白凤凰羽翼发冠，造型融合凤凰展开的双翼、羽毛、冰晶与东方金属雕花，银色金属具有真实雕刻纹理和细小划痕。

发冠两侧垂落大量细长银色珠链、水晶流苏和珍珠链，随着强风向不同方向摆动。

佩戴大型珍珠垂坠耳环；额心加入一枚极小的冰蓝/银白宝石额饰。

身穿一套月白＋象牙白＋冰银＋极淡香槟金东方仙侠高级定制礼服。

内层为象牙白轻薄真丝裹胸式长裙，柔软自然褶皱，胸前采用克制的东方交叠结构。

肩部与胸侧覆盖大型立体银白凤凰羽毛装饰、银色牡丹花、金属花瓣和冰晶状刺绣。

外层披着极其轻薄的虹彩透明欧根纱仙袍，材质介于透明冰晶、珍珠薄膜和高级欧根纱之间，在阳光照射下产生极淡的蓝、粉、金、珍珠白虹彩反射。

宽大透明衣袖覆盖银白立体牡丹刺绣、羽毛纹、冰晶纹。

数条超长象牙白半透明披帛围绕人物飞舞，其中部分披帛从镜头前极近距离掠过，形成巨大的奶油色前景虚化。

所有衣料都必须具有真实物理重量与风力反馈，不要静止悬浮。

人物身体呈优雅的三分之二侧身。上半身略微向画面右侧转动。一只手轻轻放在锁骨与胸前衣料附近，手指纤细自然。另一条手臂向画面右上方高高抬起，仿佛正在控制、抓住或穿过被狂风卷起的巨大透明披帛。头部微微抬起，视线看向画面右上方远处，而不是直接看镜头。表情安静、冷艳、略带神性，没有明显笑容，整体动作像电影中仙姬站在雪山之巅召唤风雪的一瞬间。

背景为极其宏大的喜马拉雅式雪山群、冰川山峰和白色云海。远处大量尖锐雪峰穿过云层。天空为非常干净的低饱和冰蓝色。空气极其通透，具有高海拔环境特有的清晰度。远景雪山略微虚化，但仍能辨认真实岩石、积雪、冰川纹理。不要宫殿，不要室内，不要普通树林。

金色日出或傍晚 Golden Hour。太阳位于人物右上方偏后位置，形成强烈但柔和的暖金色侧逆光。阳光穿过透明披帛产生大量柔和折射、耀斑、光斑和珍珠色高光。人物脸部保持柔和自然补光。鼻梁、嘴唇、肩膀和锁骨出现非常细腻的暖金高光。黑色飞舞发丝边缘产生漂亮的银金色轮廓光。银色凤凰冠和金属花卉出现克制的镜面反射。透明衣料形成明显的虹彩折射。大量近距离披帛遮挡镜头，产生奶油白、香槟金色圆形散景和梦幻 Bloom。高光允许轻微溢出，但人物眼睛、五官和部分发丝必须保持清晰。

9:16竖屏电影构图，中近景至半身构图，人物位于画面中央偏左，头部约位于画面上方1/3区域，轻微低机位仰拍，镜头距离约1.5–2.5米，85mm等效电影人像镜头，f/1.8–f/2.2，浅景深。

镜头前方必须存在多层半透明披帛、银白羽毛或冰晶装饰作为前景。部分前景严重失焦，占据画面右侧以及上下边缘，形成偷窥式、包围式电影构图。人物眼睛与脸部为主要焦点，背景雪山自然虚化。

Hyper-realistic live-action Eastern mythological cinematic portrait of an adult East Asian woman aged 25 or above, standing atop a very high snow mountain above a sea of clouds, transformed into a silver phoenix fairy from a snowy celestial realm, blending Eastern xianxia, phoenix mythology, ice-snow saintess aesthetics, high-fashion editorial, and cinematic concept art.

She has a cool, refined East Asian oval face with soft yet defined contours, a delicate jawline, dark almond eyes with a cold, distant gaze and a slight divine aura, slender natural brows, a straight elegant nose bridge, and pale coral-pink lips slightly parted.

Use extremely subtle ice-snow xianxia makeup, with a small amount of warm orange-red / light coral eyeshadow around the eyes to create a cool-warm contrast against the white snow mountains; visible skin pores and fine peach fuzz, with natural translucency on the face. No influencer face, no plastic smoothing.

Her hair is thick, long, and black, styled as a classical high half-up bun with abundant loose lengths. Strong mountain wind blows from the right side of the frame toward the back-left, sending many black strands flying upward, with small wisps crossing the cheeks, lips, and near the eyes, creating a strong dynamic cinematic-capture feeling.

On her head, wear a large silver-white phoenix-wing headdress, combining outspread phoenix wings, feathers, ice crystals, and ornate Eastern metal engraving, with real carved texture and subtle scratches.

Hang many thin silver chains, crystal tassels, and pearl chains from both sides of the headdress, swaying in different directions under the strong wind.

Wear large pearl drop earrings, plus a tiny ice-blue / silver-white jewel ornament at the center of the forehead.

Outfit: an Eastern xianxia high-fashion couture dress in moon white, ivory white, ice silver, and a very faint champagne gold.

The inner layer is an ivory-white lightweight silk strapless long gown with soft natural folds and a restrained Eastern overlapping structure at the chest.

The shoulders and side chest are covered with large three-dimensional silver-white phoenix feathers, silver peonies, metal petals, and ice-crystal embroidery.

An extremely lightweight iridescent sheer organza outer robe drapes over the body, between transparent ice crystal, pearl film, and premium organza, producing very subtle blue, pink, gold, and pearl-white iridescent reflections under sunlight.

Wide transparent sleeves are covered with silver-white three-dimensional peony embroidery, feather patterns, and ice-crystal motifs.

Several extra-long ivory-white semi-transparent sashes swirl around the subject, with some passing very close to the lens to create large creamy foreground blur.

All fabrics must show real physical weight and wind response; do not let them float motionlessly.

The pose is an elegant three-quarter view. The upper body turns slightly to the right side of the frame. One hand rests lightly near the collarbone and chest fabric with slender natural fingers. The other arm is raised high toward the upper-right of the frame, as if controlling, catching, or passing through a huge transparent sash whipped by the wind. The head is slightly lifted, the gaze directed toward the distant upper-right, not at the camera. The expression is calm, glamorous, slightly divine, with no obvious smile, like a cinematic fairy standing on a snowy peak and summoning wind and snow.

The background is an immense Himalayan-like mountain range, glaciers, and a white sea of clouds. Many sharp snow peaks pierce through the cloud layer in the distance. The sky is a clean, low-saturation icy blue. The air is extremely clear, with the crispness of a high-altitude environment. The distant mountains are slightly blurred but still show real rock, snow, and glacier textures. No palace, no interior, no ordinary forest.

Golden hour at sunrise or sunset. The sun is positioned slightly behind and above the subject on the upper-right, creating strong yet soft warm golden rim light. Sunlight passing through the sheer sashes produces soft refractions, flares, highlights, and pearl-toned speculars. The face has soft natural fill light. Subtle warm gold highlights appear on the nose bridge, lips, shoulders, and collarbones. The edge of the flying black hair catches beautiful silver-gold rim light. The silver phoenix crown and metal floral elements show restrained mirror reflections. The transparent fabrics produce obvious iridescent refraction. Many close foreground sashes create creamy-white and champagne-gold bokeh and dreamy bloom. Highlights may slightly clip, but the eyes, facial features, and some strands of hair must remain sharp.

9:16 vertical cinematic composition, medium-close to half-body framing, subject positioned slightly left of center, head around the upper third of the frame, slight low-angle shot, camera distance about 1.5–2.5 meters, 85mm equivalent cinematic portrait lens, f/1.8–f/2.2, shallow depth of field.

There must be multiple layers of semi-transparent sashes, silver-white feathers, or ice-crystal ornaments in the foreground. Some foreground elements should be heavily out of focus, occupying the right side and the top/bottom edges, creating a voyeuristic, enveloping cinematic composition. The eyes and face are the primary focus, and the mountain background naturally falls off into blur.